High Stakes
By Steve Robert Allen
NOVEMBER 23, 1998:
It's been a long time between novels for author Jim Harrison,
a former food critic for Esquire magazine and the man behind
the novella which became the film Legends of the Fall.
In his first full-length work of fiction in 10 years, Harrison
picks up the threads of his last, Dalva, and offers the
rest of that heroine's history, also visiting her grandfather
and introducing Nelse, the son whom Dalva gives up in the first
book.
For Harrison's fans, it shouldn't be much of a surprise to discover
that The Road Home tells its story from a variety of perspectives,
including that of Dalva and a host of her family members.
The book opens with Dalva's grandfather, John Northridge, although
the author does not shy from trying on a female voice. Northridge
takes up the first third of the book, offering a fuller explanation
of some of the history offered up in Dalva, also covering
background for the rest of the novel. He admits that his hard-
living ways wreaked havoc on his sons, including Dalva's father.
As his death approaches, he describes and notices how his opinions
and actions in the world have grown less violent.
If you haven't read Dalva, there's really no reason to
fear. That book, although wildly popular, had some weaknesses
which Harrison overcomes with his
latest effort, and the story works as its own unit for many reasons.
In particular, Dalva and the other female characters--as well
as their male counterparts, in fact--are all drawn in full, vibrant
strokes, as opposed to the flat sketches which have sometimes
marred Harrison's work. And for those who imagine that this Harrison
fellow--whose reputation as a hard liver is not so divergent from
the character Northridge--suffers from a case of testosterone
poisoning, The Road Home should lay such concerns to rest.
Harrison kicks off the second part of his new novel with the following
words: "I was pretty sure I felt the earth moving beneath
my back. The sensation happened several times within an hour or
so. The stars were wiggling a bit and intermittently blurred,
my vision addled by fever: Virgo with Spica, Leo and Regulus,
Boötes less defined except by overwhelming Arcturus."
It cannot be an accident that our introduction to Nelse inevitably
recalls Hemingway and his conception of the natural man. But Harrison
manages to save us--and himself--from the myths of Papa. Nelse
is suffering a fever, coaxing our sympathy for this character
who has strong ties to both art and nature. We learn from Nelse
that the natural world has fed his soul throughout his life--a
difficult life for a boy and then man whose inherited temperament
ranges from his grandfather's unruly, native ways to his mother's
kind patience with almost all things living.
The place where Harrison may lose people is, in turn, neither
in his strong masculine imaginings nor the fact that this 400-plus-page
opus has arrived in stores a decade after its prequel. What may
cloud some people's enjoyment of this powerful book are the author's
strong reliance on the details of the natural world, references
to contemporary environmental history (say, the last 50 years)
and a series of near-private landmarks, including works of literature
and genuine marks on the land.
Thankfully, there is an antidote to this malady. The cure can
be derived from Harrison's elaborate structure of internal monologues,
those articulate thoughts his characters rarely release to the
air.
Reading with care, studying it over time, is guaranteed to ratchet
up the pleasure of experiencing this book. And Harrison, who ranks
among America's great contemporary novelists--and who has just
come out with a new edition of poems to boot--understands the
strengths of the written word and the charm which attends concentration.
As the author puts it: "A friendly, somewhat overeducated
twit once told me that the reward of patience is patience."
In this manner, The Road Home, which takes as its landscape
the human heart, death and the natural world, marks a journey
along life's blue highways that is well worth taking. (Atlantic
Monthly Press, cloth, $25)

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