 |
Giant Country
By Jesse Sublett
AUGUST 10, 1998:
GIANT COUNTRY
Don Graham's book of essays, Giant Country: Essays on Texas (TCU Press, $22.50
hard) is as welcome as a couple thousand extra BTU's and a tray of margaritas in
the midst of the blast-furnace heat of the most miserable summer in memory. With
his finely tuned sense of what it means to be Texan inside and out, this spiky blend
of ironic humor and observation is a cool tonic for smart Texans everywhere.
Graham is the J. Frank Dobie Professor at UT and teaches Dobie's legendary course,
"Life and Literature of the Southwest," and in this volume, the essay "Pen
Pals: Dobie, Bedichek, and Webb" (largely about that trio's little-known passion
for dirty jokes) should convince readers that the legacy of that holy triumvirate
is relatively safe in Graham's hands.
In "The Filadelphia Story" Graham explores a phenomenon experienced
by countless expatriate Texans: Taking up residence somewhere besides the Lone Star
State, one may encounter all sorts of myths, misconceptions, and anti-Texan bias
for the first time. During Graham's years teaching at Penn State, he experienced
yet another exile-related phenomenon: He rediscovered his Texanness.
Leavened by an occasional dose of crankiness, there's lots of humor and wit here,
even in veins frequently mined by other Texas scribes. Regarding The Streets of
Laredo, Larry McMurtry's prequel to Lonesome Dove, Graham comments, "The
death toll in this novel is so great that you wonder how anybody West of the Pecos
ever survived to build a Dairy Queen." Graham also trains his critical eye on
some of the most important (if not always most accurate) celluloid slices of the
Texan experience. I particularly appreciated Graham's several tips of the hat to
the late, great cowboy actor Ben Johnson (actually an Oklahoman, but that matters
little), his ruminations on Howard Hawks' classic, Red River, and his evaluation
of two of the best contemporary Texas movies: A Perfect World and Flesh
and Bone.
Writing about a cowboy poetry convention in Oklahoma City (the same weekend as
the bombing of the federal building), Graham singles out a moment during Red Steagall's
performance when the legendary songwriter lashed out against federal environmental
regulation (which includes such concepts as national parks, I might add), asserting
that "people in government can't take as good care of the land as its owners
can." Incredibly, Graham lauds this bit of cornball and patently idiotic demagoguery
as the sort of "rock-ribbed conservatism" that will probably never be understood
by folks in Washington, D.C., "not being born of the land and ... disinclined
to listen to those who are. "
A writer who seems to shoot from the hip, Graham does occasionally misfire. On
the whole, Giant Country is overflowing with enjoyable, thought-provoking
reading, making this collection not only an Aqua Velva for all thinking, reading
Texans (as in, "Thanks, I needed that, Bubba"), but, like a favorite watering
hole or Mexican restaurant, a good book to leave out on the coffee table for repeated
visits. -Jesse Sublett

|







|