Volume IV, Issue 1
June 26 - July 3, 2000
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
Alien Cowboy [3]
Figuring out the state of Jimmie Dale Gilmore's music.
— Chris Herrington, MEMPHIS FLYER
Sense of Drama [4]
Judith Edelman's striking songs get at the heart of what happens in everyday people's lives.
— Michael McCall, NASHVILLE SCENE
Sonic Circus [5]
Of Montreal displays a deeply felt love of classic pop tunesmithery.
— Fred Mills, TUCSON WEEKLY
Married To The Band [6]
Who would have guessed that the members of 311 are workaholics?
— Mojisola Oladehin, MEMPHIS FLYER
Passed Down [7]
Giving Eddie and Gerald Levert, father and son vocalists, their due.
— Ron Wynn, NASHVILLE SCENE
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
The Return of Wayne Douglas [8]
A flood of posthumous Doug Sahm CDs, both old and new, hits record stores.
— Jerry Renshaw, AUSTIN CHRONICLE
Turn Up That Noise [9]
Reviews of the latest from The Trey Gunn Band and Steve Hancoff.
— Stephen Grimstead, MEMPHIS FLYER
Exegesis Freak [10]
It may sound as though Killah Priest has gone mersh, but the Wu Tang associate has more going on.
— Brian Boling, NASHVILLE SCENE
Now What? [12]
If you go gaga over the sultry smoothness of a symphonic glissando, just wait till you experience our transitions to cool and useful music links on the Web.
— WEEKLY WIRE
|
|
LETTER FROM THE EDITOR:
ecord labels are dead. At least that's the bottom line in an e-mail dialogue between two rock 'n' roll writers, Dave Marsh and Daniel Wolff, on the future of the music industry.
Jimmie Dale Gilmore has spent his 30-year career exploring an unexpected and novel musical juxtaposition: his music manages to be both evocative of rural America and positively ethereal.
The late Doug Sahm's many varied musical incarnations won't disappear into history, as a variety of labels have already released a slew of albums, and there are plenty more posthumous collections hitting the market.
Plus, Judith Edelman, Of Montreal, 311, Killah Priest, and more.
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
The Rules Have Changed [2]
Two veteran music writers conduct an e-mail correspondence in order to look at new ways of reinventing the music industry.
— Dave Marsh and Daniel J. Wolff, AUSTIN CHRONICLE
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
Rhythm and Views [11]
Build your own custom paper. To find out more
about this feature, click here.
|
