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Mind Game
Learning To Meditate Takes More Than Just Sitting On Your Ass.
By Sam Negri
MAY 10, 1999:
Mysteries are everywhere, but there is nothing more mysterious than leaving the earth unexpectedly.
It was late spring, a week or two before the May Vipassana
meditation retreat at the Regina Cleri Center on East 22nd Street.
Regina Cleri, a Catholic facility built in the 1950s as a prep
school for aspiring priests, is now used for a variety of religious
and community gatherings, Buddhist among them. Probably it wasn't
intended for out-of-body experiences, but you never know.
Vipassana meditation is a part of the Buddhist tradition, but
those attending the retreat came from a wide variety of backgrounds,
and became instantly anonymous. In a setting where the participants
do not speak, conventional labels disappear. Many of them not
only practice silence, they also avoid any eye contact whatsoever.
At mealtimes, with nobody to talk to or even look at, you develop
an unusually intimate relationship with the food on your plate.
But not talking has its value. The man or woman across the table
might be a surgeon, a pilot, or someone just out of prison. They
might be a Jew, a Catholic, an atheist or a Baptist. At a Vipassana
retreat, it doesn't matter because the emphasis is to learn to
appreciate what is happening at the present, at any given moment,
without wasting time making judgments about religious or professional
labels. There's a popular Buddhist joke that captures the spirit
of the thing succinctly: "No self? No problem!"
Vipassana is a word from the Pali language of India and means
"to see distinctly." Sometimes it's translated as insight
meditation because, when practiced over a long period of time,
it leads to an extraordinary degree of mental clarity and perceptiveness.
Never is the word translated as levitation, yet there I was on
that Sunday afternoon, weightless on the patio...
The morning was warm and I was seated on a kitchen chair. It
was early in the day and the sun had not yet reached the incineration
stage. I could feel its warmth on my back as I closed my eyes
and began paying attention to the triangle formed by my nostrils
and my upper lip. Isn't this what everybody does on a Saturday
morning in Tucson? I was going to relax and observe my breathing,
watching the gentle flow of air gliding up the nostrils and down
into the lungs.
Critters surrounded me. On my left I could hear a curved-bill
thrasher; about 30 feet behind him, perched in an arthritic paloverde
tree, there was the unmistakable soprano chirp of a cardinal;
closer, on the wood fence behind me, I could hear the obnoxious
cackling of a cactus wren. Somehow I was going to shut out all
these distractions, but the first thought that came to mind was
a New Yorker cartoon showing a cow and a simple caption:
"Oom spelled backwards is moo."
I smiled my best pre-senile dementia smile and then relaxed into
a meditative state. I watched my breath for about five minutes,
growing more relaxed and settled. Then I moved my attention to
my left hand. That was one of the first practices Mary McWhorter
had taught me.
MARY, WHO HAS been practicing the Vipassana techniques
taught by Shinzen Young for many years, converted her garage into
the Tucson Community Meditation Center. One
day I drove over there and introduced myself. It wasn't exactly
like visiting a Salvation Army mission. I wasn't looking for salvation
and she wasn't preaching any religious dogma. What I was looking
for was a way to relax and cut through my many discursive thoughts,
and I wanted a method that did not involve drugs, psychiatrists,
money, God, or ethnic blackmail. Which is another way of saying
I didn't have any idea what I was looking for other than a way
to cut through all the noise and find simple clarity.
A good way to start, Mary said, was to close your eyes, let your
body settle, and then bring your attention to your left hand.
Not just the hand, but each finger, each nail, the space between
the fingers, the palm, the veins, the wrist. Sitting in the morning
sunlight, I did just that. To tell the truth, my left hand wasn't
all that interesting, but studying it made me stop thinking about
14 other things.
From Mary, I heard a lot about Shinzen Young, a Vipassana teacher
who leads retreats in Tucson once or twice a year. Shinzen is
an American-born meditation teacher who has established numerous
meditation programs in North America. In 1967 he entered a Ph.D.
program in Buddhist studies at the University of Wisconsin. Three
years later, he was ordained as a Buddhist monk at Mt. Koya, Japan.
After several years of training in various Asian monasteries he
became interested in the scientific study of meditative states
and worked at the Princeton Biofeedback Institute. In 1992 he
co-founded, with Shirley Fenton, the Vipassana Support Institute
(in Santa Monica) to train meditation facilitators and to create
a network to support meditation practice. His teachings emphasize
applying the benefits of meditation in daily life, and he freely
admits that some Buddhist purists are critical of the hybrid method
he has adapted for Western sensibilities.
Mary gave me some tape recordings of his lectures on Vipassana.
As a result, I became familiar with his voice and his thoughts
long before I met him face to face. When we met at the Regina
Cleri retreat last spring, I had a hard time connecting that recorded
voice to the image before me. What had I expected? Someone with
a shaved head and a saffron robe, at the least. But Shinzen wore
ordinary clothes and had the kind of haircut you would see on
any middle-aged male. He could have been the man next door, the
banker, your doctor, an educator. Educator seemed to fit best.
After a good deal of wrangling with my own head (What is this
guy up to? I asked), I came to the conclusion that if there is
any clear testament to the value of meditation, Shinzen may be
its personification. Both in his speech and his writings, there
was a clarity and level-headedness that was emotionally and intellectually
appealing.
While participants in the Vipassana retreats do not speak to
each other, there are group question-and-answer periods with the
teacher, and at one of these, I told Shinzen about the day I left
the earth:
"I was meditating, feeling pretty relaxed, when I suddenly
realized I could no longer detect my body. I couldn't feel my
feet on the ground. I just felt weightless, like I was up in the
air. It felt great, but then I thought, 'This feels so good that
maybe I'll just keep going and never come down.' A part of me
knew, of course, that I was still just sitting in a chair and
had never left the ground, but still I wondered if somehow I
might just go away."
"There's no need to worry about that," Shinzen said.
"Eventually your bladder will bring you back."
It was an inglorious but accurate observation, and it was typical
of his approach. Many westerners want to think of meditation as
an esoteric or trendy practice that requires a predisposition
toward mysticism. However, even though it is unusual and seemingly
mysterious to those who have never experienced it, those who practice
it on a regular basis see that its applications are plainly practical.
Who would not see the benefits of "a clear mind and an open
heart?" as Eric Kolvig, another Vipassana teacher, put it
during a retreat in Tucson last fall? Does this sound like utopia,
the detour that leads to self-knowledge and perfection? If so,
it is an unexpected variation of perfection similar to the one
described by Palo Maurensig in his new novel, Canone Inverso:
"Perfection, you see, is related to infinity, but infinity
is not the infinitely big. It is also the infinitely small. Perfection
can suggest the idea of forward movement, but also the idea of
coming to a halt. The search for perfection proceeds with a pace
that becomes infinitely slower. It is a continuous progression
that nevertheless gradually reduces itself as it approaches its
goals."
SO, THAT SEARCH for a clear mind (if not perfection) led
me to a minimalist world, a chair, a cushion and silence in an
unadorned room at Regina Cleri. The Vipassana retreat started
on a Wednesday and ended on Sunday. We slept in dormitories, woke
at 5 a.m., and could attend as many "sits," or scheduled
meditation sessions, as we wanted from sunrise to 9 p.m. Some
of these sessions were guided meditations which were particularly
useful to those who hadn't spent much time thinking about meditation
or trying to distinguish it from other experiences like thinking
or praying or smoking marijuana. Shinzen, in a paper entitled
"Stray Thoughts on Meditation," says of the Buddhist
tradition, "Meditation consists of two aspects or components.
The first, called samatha in Sanskrit, is the step by step development
of mental and physical calmness. The second, vipasyana [vipassana],
is the step by step heightening of awareness, sensitivity and
clarity...
"Samatha, if taken to an extreme, leads to special trance
states; these may be of value, but they are not the ultimate goal
of Buddhism. The practice of clear observation, on the other hand,
if developed with sufficient intensity and consistency, leads
to a moment of insight into the nature of the identification process.
At that moment, awareness penetrates into the normally unconscious
chain of mental events which gives us rock-solid convictions like
'I am so-and-so' or 'such-and-such really matters.' This insight
brings with it a radical and permanent change in perspective,
and the full manifestations of its implications in daily life
are the goals of Buddhist meditation."
So, how does one get to this place where the mind is still? For
starters, Shinzen explained one morning during the retreat, you
break down any experience to its components and sub-components.
For example, when meditating, a thought can be regarded as a tangle
of the mind and a body sensation. If you can keep track of how
much is thought and how much is feeling, you can diminish suffering.
Letting go, or simply accepting what you experience without judging
it, is a major aspect of meditation.
"Conscious thought is some combination of words and pictures,"
he said. "As things pop into your head, note each component:
Is it talk? Is it image? Is it some combination of the two? In
meditation, you can think of experience as a melting and a freezing--meaning
that a thought or feeling comes up in some loose form, you freeze
or stop it and see if it's 'talk' (telling yourself a story) or
image (a picture that comes to mind). If you keep track of which
part of a thought is words and which part is images or pictures,
you are beginning to break down the sub-components of thought."
The same thing can be done with feelings. Most of us experience
body sensations every minute of every day, and in meditation those
sensations--an itch here, a ping there, pain in the lower back,
and so forth--are simply acknowledged and accepted. As he or she
is sitting quietly, a meditator may be tracking subtle sensations
that surface all over the body. If he feels an itch near his right
ear, he may say to himself, "Ear, accepting," or just
"ear," and not move to scratch that itch. Most of the
time, the itch just goes away. Often, the same process can eliminate
pain.
I hadn't thought about pain when I started investigating meditation.
Specifically, it hadn't occurred to me that sitting still could
be painful, but, next to taming one's discursive thoughts, the
discipline of sitting still for any length of time was initially
excruciating. At first, 10 minutes seemed like a long sit, but
by the end of the retreat I found I was meditating in sessions
that lasted between 45 and 90 minutes without having to be carried
off on a stretcher.
How did it happen? By paying attention and letting go. At some
point, I was sitting in a chair with my eyes closed, listening
to Shinzen's voice. This is a paraphrase of what he said:
When you perceive a sensation, try to locate it in the body.
Identify its center and focus your awareness on the center. Then
look at the imaginary lines leading away from the center (up,
down, right, left). Then look at how the sensation feels a centimeter
away from the center. In other words, if you feel a pain in the
back of your neck, try to locate the center of it or where it
is most intense, and then move your attention to the right or
left of that point. Think of it this way: if you throw a rock
into a pond, the point where it hits the water creates the most
turbulence. That's were your pain would be greatest (its center).
But, the stone that hits the water sends out ripples here and
there and the turbulence is less intense the farther away you
look from the point where the stone landed. Usually, it's the
same with pain: it will send out ripples throughout your body,
so you may notice that you feel it a little less an inch away
from where it is most intense, and less two inches away, etc.
Once you've explored the entire sensation, do nothing. The
foundation of Vipassana meditation is noninterference. You do
nothing. Often--some would say always--suffering comes from resistance
to pain; it's the resistance that makes you hurt for longer periods.
Take away the resistance and the pain dissipates.
I didn't believe it. And yet, in the last year, I've employed
this method repeatedly and often with success.
Getting the mind to shut out its own noise is perhaps the most
difficult exercise for those of us caught up in the world of work
and domestic obligations. In the beginning, my thoughts either
drizzled or rained down on me, then flowed like a gravity feed
to this or that subject. What needs to be done tomorrow? Who needs
to be called? What bills to pay this week? When this mental avalanche
comes at me now, I often hear a reminder from the instructor:
"Confusion is intrinsic in our lives. Sooner or later you
have to make friends with your confusion."
The implication was enough: while you may get calmer and more
clearly focused, your confusion will never disappear.
When discursive thoughts pop into your head (driving you nuts),
said Shinzen, "Realize that each sentence is you talking
to yourself, each corresponds to an internal dialogue. You may
see a picture of yourself doing something. A feeling in the body
manifests itself as internal dialogue, internal imagery or internal
sensation (fear, bliss, frustration, etc.). If you keep at it--that
is, if you simply observe and note that you had a thought, that
it came as words or as an image, at some point the talk will stop
happening." Or, at least, it won't happen as intrusively
as it previously did.
You start, he said, by taking a systematic inventory of experience
and then you start all over, each time expanding and contracting
the experience. This is one way of meditating. You have a pattern
and you know what you're looking for and you stick to that pattern.
The hand meditation was my starting point. Then I began the "inventory,"
moving my attention from head to foot--allowing myself to become
aware of my forehead, eye sockets, jaw, tongue, chin, neck, shoulders,
chest, torso, legs and feet. Then I would begin the sweep up the
back of my legs to the spinal column and picture each rib wrapping
around my body, eventually ending my imaginary journey at the
back of my head.
Sometimes (often, in fact) my attention would get diverted by
some thought. As time went by, however, I found I could simply
say to myself, "talk," or "image" if a specific
scene had come to mind, and bring myself back to the focus of
my concentration.
The idea is this: precise observation leads to clarification.
It becomes clear when its components are identified. Things go
from being opaque to being transparent or impermanent. At times,
doing this, you can't always predict where you'll end up. One
day I was sitting in the meditation hall at Regina Cleri with
my attention focused on sounds, and somehow I ended up under the
basement floor.
I was relaxed and my eyes were closed. I could hear the rumble
of traffic out on East 22nd Street. I started to visualize an
imaginary circle around my head and went from the point where
sound was loudest to points next to it to see if I could find
silent places. In that imaginary circle, I heard a hum which varied
in intensity from place to place. Then I invented an imaginary
vertical line perpendicular to the circle. I explored the intensity
of the sound upward along that line but it didn't seem to change.
I followed it down and it changed to the image of steam. I followed
it through the tile floor to the basement (was there a basement?
I don't know), and under a concrete floor until "sound"
became part of the soil under the whole building.
Then the meditation period ended.
During subsequent periods of guided meditation, the focus shifted
in other directions so that different times the object of the
session was to explore the sense of touch, Touch, the feel of
the ambient air, breezes on the skin, the points at which one
body part touches another (folded hands, lips touching, feet against
the floor, tongue against the teeth), clothes touching the body,
shirt against neck, sleeve on the arm, etc.; or on sound: isolating
the sound coming to one ear, then the other, then looking for
silent spots; or on light, meaning the light coming through the
eyelids.
MINDFULNESS MEDITATION, or Vipassana, Shinzen says, is
similar to using a microscope. "The microscope is an awareness-extending
tool that allows us to see something that is always there but
not evident to the naked eye. The mindfulness practice, the concentration
practice that you will be developing here, is to the exploration
of your internal world what the microscope is to the exploration
of the external world."
In other words, meditation is a movement from the macrocosm to
the microcosm, or, as the late Joseph Campbell put it (in a positive
sense), a movement toward the infantile unconscious. Campbell
wrote, in The Hero With a Thousand Faces:
"It is the realm that we enter in sleep. We carry it within
ourselves forever. All the ogres and secret helpers of our nursery
are there, all the magic of childhood. And more important, all
the life-potentialities that we never managed to bring to adult
realization, those other portions of our self, are there; for
such golden seeds do not die. If only a portion of that lost totality
could be dredged up into the light of day, we should experience
a marvelous expansion of our powers, a vivid renewal of life."
That is as good a summary as any to describe the residual effects
of Vipassana meditation.

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