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By Marjorie Baumgarten MAY 3, 1999: D: Majid Majidi; Mohammad Amir Maji, Mir Farrokh Hashemian, Bahare Seddiqi. (Not Rated, 87 min.)
Although many of the films we've been seeing from the recently resurgent Iranian
cinema feature children as their protagonists (all the better to avoid problems with
the censors), Children of Heaven is the first one that I've seen that seems to be
telling the story from the children's point of view. In this it sidesteps the allegorical
strategies inherent in the tactic; Children of Heaven is simply a story about a predicament
faced by two children and the naive but very believable strategies they use to circumvent
their problem. A young boy loses his sister's only pair of shoes on his way home
from the cobbler when he stops at the grocer's to get potatoes for his mother. Afraid
to tell their impoverished parents because of the hardship it would cause, the children
decide to share the boy's one pair of sneakers. Amazingly, a whole movie is constructed
around this ruse and the additional troubles it provokes. Heartwrenching scenes of
the siblings trading off shoes in the alley as one races home from school and the
other races off are filled with more drama than one might expect. The girl sees her
threadbare shoes one day on the feet of the rag-picker's daughter; the boy's school
career is jeopardized by his constant tardiness. The poverty that is at the heart
of the situation is in prominent relief, yet there is a happiness about their lives
that defies sheer gloss. Here is a brother and sister who truly love each other and
are bonded by their complicity. Their hard lives are relieved by such things as playing
with the bubbles they create with the soap as they wash the workaholic sneakers.
It's poignant but not unhappy. These two know no other reality. Their spunk and ingenuity
will likely keep them afloat -- as will their family's love and devotion. Children
of Heaven sets these tykes on a quest, yet for a change, there is a sense that this
quest is one of their own making.
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