Volume II, Issue 38
March 15 - March 22, 1999
LETTER FROM THE EDITOR:
his week we focus on two different ways to get beat up: as a
sport and as a "sport." Memphis Flyer's Chris
Davis delves into the world of female boxing. On the other end of the spectrum, Nashville Scene's Michael Sims takes a
peek into the world of leather--forget the lace--and sadomasochism
in "Hurts So Good."
Elsewhere in Arts & Leisure, Nashville Scene's Margaret
Renkl discusses the art of dealing with parenting chaos, plus a couple of looks at gallery showings and stage performances.
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
Back With Bohéme [5]
Arizona Opera is mounting the beloved Puccini opera "La Bohéme.
— Margaret Regan, TUCSON WEEKLY
Sex and Power [6]
"How I Learned to Drive," by Paula Vogel, tells the story of a grown-up Lolita; David Mamet's Oleanna follows an encounter between a male professor and a confused female student.
— Dave Irwin, TUCSON WEEKLY
Now What? [9]
A gallery of captivating links to keep your imagination churning while the paint dries.
— WEEKLY WIRE
|
|
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
Nowhere Fast [2]
With the spring a mother's thoughts turn to the natural rhythms of a matron and her offspring.
— Margaret Renkl, NASHVILLE SCENE
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
A Sweeter Science [7]
Female boxers take their shot.
— Chris Davis, MEMPHIS FLYER
Hurts So Good [8]
Smack, slap, whack. Get leathery.
— Michael Sims, photos by Eric England, NASHVILLE SCENE
Want to know what all these checkboxes are for?
Click here to find out, or just ignore them.
The Dance of the Pencil [3]
The Dance of the Pencil: Serene Art by Paul Ré.
— WEEKLY ALIBI
Well-Connected [4]
Nashville artist Peggy Snow remembers dressing up in grandma's clothes.
— Angela Wibking, NASHVILLE SCENE
Build your own custom paper. To find out more
about this feature, click here.
|
|