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In Person
By Barbara Strickland
FEBRUARY 9, 1998:
Martin Amis at Book People
At first, there was something dubious about the idea of Martin Amis touring behind
Night Train - a relatively slender detective story. In fact, Night Train
is so short and genre-specific it feels a lot like a side project - like Michael
Jordan's golf game or Johnny Depp's musical career. And not only has Night Train
been almost universally panned for lack of plot and some ultra-sketchy character
development, but it's also a decidedly dark beginning, says Amis, as "a noir
thriller" ending with "Camus as Elmore Leonard." In what Amis calls
a "meditation on suicide," the action is purely psychological. Aloud, it
would appear to be a tough read. Worse yet, conventional wisdom had it that what
looked like a mildly clever device in print - a protagonist, Mike Hoolihan, cast
against name as a female detective - could lose a little something in Amis' live
translation. In fact, Amis recently chose Linda Hamilton to present the audiobook.
But just 10 minutes into his February 2 Book People presentation it was obvious that
to doubt the success of this reading was to doubt Amis' almost sole key to success
- his voice.
As much as Night Train is an exercise in genre, it's an exercise for Amis'
voice. For some, that Hoolihan is a female American detective who happens to speak
exactly like the British author Martin Amis represents Night Train's inherent
illegitimacy. For others, it is singular proof of Amis' range and his book-to-book
consistency. The latter theory couldn't help but prevail at this reading, as it was
so hard to distinguish between Night Train's excerpts and Amis' commentaries.
At one point, Amis read, "I have seen bodies left dead so long your only shot
at a t.o.d. [time of death] is to weigh the maggots." Not long after, he commented,
"It's an honor to be in your country... as spattered cocktail dresses are seized
by the feds." One speaker is Hoolihan and the other Amis, but the rhythm and
attention to detail is virtually unwavering. Unless you look up and see Amis pull
away from the book, character and author are indistinguishable.
Unfortunately, Amis' reading was not unlike a trailer so busy that it renders
the movie obsolete. Because for all the witty insights and colorful vignettes Amis
cherry-picked for the reading, Night Train's trite plot and negligible quest
for a conclusion still make it Amis' least compelling read. In fact, one reader judiciously
used an otherwise casual but candid Q&A to ask Amis if there was anything in
Night Train he wished he'd done better. To that, Amis admitted Hoolihan would
have been more authentic had she alluded to "windshields" rather than "windscreens."
Maybe so. But it's still a distinction not nearly as grand as the disparity between
the effectiveness of Amis' appearance and of the book he came to promote. - Andy
Langer
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