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By Stephen Grimstead FEBRUARY 2, 1998:
King Biscuit Flower Hour Presents: Iggy Pop
Iggy Pop no can die. Bad drugs no can kill him. Bad albums no can kill him. No album buyers for bad albums no can kill him. Even Iggy Pop his own self no can kill him. He truly one no-can-kill sumbitch, and me love him for it. All Iggy Pop want to do is have furious fun, and me say why not? Him kick big ass onstage and always sound angry like he mean it.
Iggy Pop and lotsa noise band play Iggy Pop songs for hour and 10 minutes. Songs are all Iggy Pop, but from three different places. Iggy sing Stooges songs, Iggy sing songs from Instinct, Iggy sing songs from Kill City. Me like Iggy sing all these songs from different places. Him some big cutup. Write and sing many angry songs. What Iggy Pop live from 10 years back sound like? All songs sound like some loud broken record that play over and over and over until head hurt. Iggy Pop say it best with anger. Him yell No one cool is going to save you on Power and Freedom. Him scream I wish life could be Swedish magazines on Five Foot One. Him tell audience that girlfriend spend all his money on heroin and him love her for it. Iggy Pop one funny crazy man. Lotsa noise band pretty funny crazy too. Make me laugh when play Peter Gunn theme in I Feel Alright (1970). But no can laugh at Iggy Pop. Him the worlds forgotten boy who want to Search and Destroy. Him say, I aint gonna be no Squarehead! Call everybody fucker and then say thanks. Him big hero to Stooges everywhere. Iggy Pop sound angry 10 years ago, when him make this live record. But Iggy Pop always sound angry and still sound angry today. Him you always can count on. Him always stick up for little men everywhere. Him one brave sumbitch, cause him no can die. Buy and play this Iggy Pop record loud as proof Iggy Pop no can die. Bizarro Dee Three
The hideous phrase indie guitar rock is often used to describe this band, but I think its more accurate to discuss the music on Shapes as being of the freer and infinitely more interesting trash aesthetic tradition, with an emphasis on the artsy side of that concept (Sonic Youth, no; Thinking Fellers Union Local 282, yes). Although this is certainly a rock record more than anything else, Polvo often punctuate the songs on Shapes (the bands fourth LP) with a variety of exotic instrumentation, imparting at times a pseudo-Eastern feel to the music. Such tendencies along with a seemingly insatiable hunger for stop-and-go rhythms and oblique lyrical content (Do you admire all the things weve built, or do you relate to all the spaces weve filled?) will no doubt leave some listeners scratching their heads in confusion, if not grinding their teeth in frustration. Many corners are turned rather abruptly during the course of this album, but the reward for those who successfully endeavor to follow the musics wiggly progress is great like finally understanding what the paranoid-schizophrenics are babbling about. (Some reward, huh?) On Shapes, Polvo free-associate with the feverish naiveté of bright children who gush out a fountain of brilliant ideas because they havent yet learned to curb their imaginations in accordance with the days dogma. Stephen Grimstead
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