Boy, that Jackie Chan just seems to keep
getting younger, doesn't he? Oops--turns out his latest film,
which ads allow you to believe is "new," was originally
released in Hong Kong in 1992. Fresh (but still bad) dubbing and
a slicker soundtrack can't hide the inherent sloppiness of this
kooky twins-separated-at-birth story. There's a Freaky Friday
zaniness to the proceedings, which play off of the psychic connection
Jackie the ass-whupping mechanic has with Jackie the wimpy concert
pianist. (The mechanic's fingers start to wiggle while the musician
is performing; the musician lurches uncontrollably while the mechanic
goes on a high-speed boat chase, etc.) The obligatory switcheroo
scenes, despite involving two extremely beautiful Asian women,
are done so poorly that at times they make Dead Ringers
seem like a laff riot by comparison. But the real reason for any
Jackie Chan movie is the acrobatic fighting, which continues to
amaze--this time, the final showdown takes place in a crash-test
lab. If we're lucky, someday someone will figure out how to integrate
Chan's talents into a story in ways that are more satisfying than
they are erratic.
--Topo Gigio
Full Length Reviews
Twin Dragons 
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Twin Dragons 
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