To anybody who sees this movie expecting subtlety
and impeccable historical detail: What planet are you from? This
is James Cameron we're talking about--the guy whose last
movie ended with a kiss in front of a mushroom cloud. Titanic
is hardly trying to steal fire from Merchant/Ivory films. What's
surprising, though, is how well the movie's simple romance carries
the spectacular disaster effects, and how well the poor-boy/rich-girl
aspect emphasizes the class stratification on the ship. (I'd take
the hot little triangle of Leonardo DiCaprio, Kate Winslet and
Billy Zane over a boring group of Poseidon Adventure-style
sufferers any day.) Cameron has always been a workmanlike director,
and despite multitudes of hackneyed situations and hokey lines,
his by-the-numbers romantic scenario gets the job done--so well,
in fact, that the little story and big one somehow manage to merge
and transcend themselves. At least for this reviewer, by film's
end Titanic became unexpectedly moving, visually arresting
and haunting.
--Woodruff
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