Kurt Vonnegut once described the literature
of a race of beings who were not bounded by time. Their books
were essentially read all at once, and contained a series of unordered
sentences that, when taken as a whole, produced a still image
of ideas, emotions, and histories. Atom Egoyan has directed films
that work in much the same way, weaving their stories back and
forth across time until the mystery of the characters' actions
and reactions becomes clear in the light of devastating, defining
or punctative events. In Sweet Hereafter, Anthony Hopkins
stars as a lawyer out to use a small-town tragedy for personal
gain, and his overly mannered performance is the film's weakest
link. Otherwise, all the actors, many from Egoyan's usual troupe,
play their parts with a stiff naturalism that perfectly complements
the horrific central event that practically disanimates an entire
community. Two stories of the worst possibilities in father-daughter
relations further accentuate the bland unpleasantness of quotidian
existence, and as each thread of the tale is slowly unwound, a
final image of pointless hope and senseless loss is formed. Definitely
one of the bleakest, most despairing, and best films of last year.
--DiGiovanna
Full Length Reviews
The Sweet Hereafter 
The Sweet Hereafter 
The Sweet Hereafter 
The Sweet Hereafter 
The Sweet Hereafter 
The Sweet Hereafter 
Capsule Reviews
The Sweet Hereafter 
The Sweet Hereafter 
Other Films by Atom Egoyan
Exotica 
Felicia's Journey 
Film Vault Suggested Links
Pariah 
Down in the Delta 
Cruel Intentions 
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