A trippy, pointless exercise in style from David
Cronenberg, director of Naked Lunch and Videodrome,
among others. Crash looks great but delivers little. The
story, based on the novel by J.G. Ballard, tracks the adventures
of a bored, empty movie producer (James Spader) whose erotic sensibility
and sense of physicality are radically altered after he suffers
a serious car accident. He's discovered by a subculture of like-minded
individuals, headed by a sleazy character named Vaughan (Elias
Koteas), who abandon themselves to their "benevolent psychopathology."
This basically involves engaging in sexual activity in, around,
or after violent car crashes. Like a super-8 porno loop, Crash
contains only a rough idea of beginning, middle and end--and there's
so much sex that after a while, it just gets boring. The wonderful
cast, including Holly Hunter and Rosanna Arquette, is so poorly
directed they literally seem to be wandering around aimlessly.
Crash received a special jury prize at Cannes "For
Originality, For Daring, and For Audacity," but obviously
not for intelligence, artistic merit or even entertainment value.
--Stacey Richter
Full Length Reviews
Crash 
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