Frankie Lymon's story was among the most mystifying and tragic in rock
history. Possessed of a magical voice and amazing athletic ability, this
singer parlayed his talents into superstardom at an early age. His group,
Frankie Lymon and the Teenagers, are best remembered for their biggest hit,
"Why Do Fools Fall in Love," a crossover smash in 1956. The song went on to
influence numerous other artists, songwriters, and producers, including
Little Anthony, Stevie Wonder, Berry Gordy, Smokey Robinson, and Michael
Jackson.
At 13, Lymon was on top; he was essentially finished at 17, due in large
part to an ill-fated decision to break from the group. The rest of his life
was desultory, marked by failed comebacks and multiple marriages, from
which he never obtained legal divorces. In 1968, Lymon died at the age of
25, and his estate became the source of court fights that continued for the
next 20 years among the surviving band members and the three women who
claimed to be his wife.
The court battle between the three women forms the basis of Gregory
Nava's film Why Do Fools Fall in Love, which tells Lymon's story
through three often compelling flashbacks, each from a different widow's
viewpoint. First wife Vivica A. Fox spins a yarn about a charming soul
undone by drug addiction. Wife number two, Halle Berry, profiles a gifted
vocalist unable to face musical and lifestyle changes. The third, Lela
Rochon, unveils an over-the-hill performer, fresh out of the Army, who
wants to settle down and be a faithful husband but can't overcome the urge
to return to the stage.
Each portrait serves as a showcase for Larenz Tate, who's visually
compelling and often magnificent as Lymon. Tate smoothly and effectively
keeps the dramatic focus shifting as he moves from hero to villain, from
comedy to tragedy, unable to overcome the twin demons of weakness and
ego.
Those unfamiliar with Lymon's story will probably find Why Do Fools
Fall in Love most satisfying; the courtroom scenes featuring the wives'
testimonies are hilarious, and Little Richard's cameos are outrageous. The
interaction between Fox, Berry, Rochon, and Tate is wonderful, running the
gamut from slapstick to riveting emotion. We come away understanding both
Lymon's charm and the degree to which his ultimately fatal flaws hurt those
who loved him.
Since this film is billed as a dramatization, some historical license
was inevitable; still, some errors are too big to overlook. For instance,
it wasn't the group's manager, Morris Levy (superbly played by Paul
Mazursky), who convinced Lymon to leave the Teenagers; it was label owner
George Goldner. Nor were the wives the only people trying to get a piece of
Lymon's estate: Surviving members of the Teenagers also went to court. And
not only did Levy put his name on "Why Do Fools Fall in Love," at least six
others have claimed authorship of the song since Lymon's death.
The audience gets graphic evidence of the film's greatest discrepancy at
the end, when footage of the real Lymon starts rolling before the credits.
Larenz Tate is a wonderful actor, but no amount of makeup can make a
30-year-old man look 13, and in the early scenes involving the Teenagers,
he looks about as much like Frankie Lymon as Bill Cosby does. Still, since
Hollywood has never cared about accuracy in its biographic portrayals, Tate
and his gifted trio of actresses acquit themselves well in this
entertaining, if often fantasized, look at a tragic icon of early rock and
R&B.