Jonathan Lynn has had a checkered career as a feature comedy director.
In fact, he's scored only twice--with 1991's courtroom comedy My Cousin
Vinny and now with the similarly themed Trial and Error. Something about
the practice of law gets his farcical juices running. Maybe it's the strict
code of behavior and the sobriety of the proceedings. Whatever the case (no
pun intended), Lynn manages to squeeze maximum entertainment value out of
the story of novices floundering before the bar.
Jeff Daniels and Michael Richards costar in Trial and Error as
(respectively) an ambitious lawyer and his unemployed actor buddy. When the
lawyer gets hopelessly drunk on the eve of a routine court appearance in
Nevada, the actor steps in and botches the procedure so badly that the case
goes to trial. Out of this groan-inducingly nutty premise, Lynn and
screenwriters Sarah and Gregory Bernstein work a mild kind of magic.
Dwelling on the reality of the characters' joint predicaments (and drawing
on the majesty of the wild Nevada landscapes) the filmmakers find a warm,
funny vein of truth running through the requisite zaniness.
The casting helps. Bright turns by supporting performers Austin
Pendleton (as the bemused judge), Rip Torn (as the irrepressible con-man
defendant), and Charlize Theron (as the nature-girl who catches Daniels'
eye) keep the film bubbling. Unfortunately, the usually reliable Daniels is
all over the map; luckily, Michael Richards, nicely underplaying, props him
up and makes the film work. When he stands before the jury, every courtroom
drama he's ever seen comes spilling out in a confusing, hilarious tumble of
words.
The great joke of the movie is that Richards' technique seems to be
working, but it really isn't. He's using the right cadences but spouting
nonsense, and the only reason the court seems to allow him to continue is
that he's helping the time pass pleasantly before the predetermined verdict
comes out. Justice works independently of the show put on at trial, no
matter how amusing that show may be.