It's been several years since we first heard about the shortage of
leading ladies in Hollywood, and the situation has only gotten worse. In
the realm of romantic comedy, Julia Roberts is about the only sure thing
out there, and she doesn't make that many movies. Meg Ryan has stereotyped
herself into a corner as cute-and-perky, and you know the situation is dire
when producers are falling over themselves to cast Cameron Diaz. So why
shouldn't Jennifer Aniston make a play for some box office, even if she has
been overexposed on Friends? If she gets a few more solid, unpretentious
scripts like Picture Perfect, she could establish herself as a contender in
the rarefied market of female comedic leads.
Like most romantic comedies, Picture Perfect has a wacky premise:
Advertising copywriter Kate can't get a promotion unless her boss thinks
she's living beyond her means (he thinks it makes his workers hungry), and
she can't get dreamboat Kevin Bacon unless he thinks she's unavailable. So
friend Darcy (Illeana Douglas) makes up a fianc for Kate based on a wedding
videographer named Nick (Jay Mohr). Naturally, Nick will soon have to play
the lover's role and will fall for Kate while doing so.
Fortunately, movies have ways of making the audience forget such
preposterous premises. Engaging stars go a long way, and Aniston and Mohr
are attractive both separately and together. Aniston has an antic, Mary
Tyler Moore-ish quality that plays well on the big screen; she creates a
character nicely distinct from her TV persona. My only complaint is that
she consistently neglects to button her blouses, as if all we came to see
was cleavage. Jennifer, sister, you've got talent--you don't need to work
blue.
Jay Mohr, who had a cup of coffee with Saturday Night Live and
turned heads as evil agent Bob Sugar in Jerry Maguire, has a deadpan
sincerity that clicks with Aniston's flightiness. It really works in the
farcical sections of the script, like the hilarious dinner set-piece in
which Nick foils Kate's every attempt to play out the script she's written.
At such times, the movie's script feels like it's being ad-libbed; in
reality, it's just loose enough to direct the stars' energies without
stifling them. Director and cowriter Glenn Gordon Caron keeps the timing
sharp but doesn't clutter the screen or the plot.
Rather than griping about Aniston's roots in television, audiences and
critics should welcome the appearance of a serviceable comedic actress with
potential. After all, most of the female movie stars who couldn't cut it as
leads have retreated to sitcoms (Lea Thompson, Brooke Shields, Ta Leoni),
so there's nothing wrong with someone trying to reverse the process.
Picture Perfect's success is almost guaranteed, thanks to the dearth
of summer movies for the female and date audience. But don't count out
Aniston and Mohr just because they latched onto a sure thing.