Communist ideology is fine as far as it
goes, but at some point, human beings have to stop being utilitarian cogs
in a system and start being, well, human beings. During the chilliest days
of the Cold War, state-run film production companies behind the Iron
Curtain attempted to split the middle between propaganda and escapist
entertainment, cranking out a series of Western-style musicals that
espoused the virtues of being a good worker and learning to be happy with
one's lot in life. This oft-hilarious, more often poignant documentary
intercuts clips from those films with reminiscences by the people who tried
to sneak as much art as they could into the production. Also weighing in
are the audiences who knew they were being indoctrinated, but who went
along for the ride because the songs were good and the costumes were
pretty. What hangs in the air is a kind of wistful pragmatism, as citizens
who had their best years stolen by well-intentioned totalitarianism
describe the ludicrousness of their leisure hours with a blend of sarcasm
and genuine nostalgia.
--Noel Murray and Rob Nelson
Film Vault Suggested Links
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