James Stewart defends the innocent again in
this oft-overrated Otto Preminger legal drama, which continues to catch
audiences napping with its frank testimony about rape and human sexuality.
That boldness of approach--combined with a fresh score by Duke Ellington
and electrifying performances by Lee Remick and a young George C.
Scott--sticks in the mind more than the film's sluggish midsection. Credit
Stewart again for doing the film's dirty work: holding our attention as a
sweet-natured defense attorney and then shocking us with how hard-edged and
aloof he can become while discussing the condition of a victim's panties.
That edginess startles Scott as well, and the war of words between the two
attorneys provides some of the greatest courtroom sparks this side of
Inherit the Wind.
--Noel Murray
Other Films by Otto Preminger
Laura 
Skidoo 
Film Vault Suggested Links
All the Little Animals 
The Talented Mr. Ripley 
The Babysitter 
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