Steven Soderbergh tells a more conventionally Hollywood love story in Out of
Sight. Adapted by Scott Frank (who also wrote Get Shorty) from the
Elmore Leonard novel, Out of Sight is the story of Jack Foley (George
Clooney), bank robber extraordinaire. Foley is a three-time loser, but he has
good looks and charm to go along with his bad luck. As the film opens, he
manages to rob a bank while armed with nothing more than guts and a winning
smile. After some time in prison, he stages a jailbreak that gets complicated
when federal marshal Karen Sisco (Jennifer Lopez) just happens to be waiting
next to his getaway car with a shotgun. No problem. A little dipsy doodle, and
pretty soon Jack's partner, Buddy Bragg (Ving Rhames), is driving away with
Jack and Karen in the trunk all snug as two bugs in a rug. What are a couple of
lonely hearts to do? Yes, that's right, they talk. And gosh-darn it if they
don't discover they have an awful lot in common.
Well, Jack and Karen go their separate ways. Karen goes back to
busting evildoers, and Jack plots with Buddy and some baddies to take down a
multi-millionaire named Dick Ripley (an almost unrecognizable Albert Brooks).
Buddy and Jack knew Ripley in prison when the latter, a stand-in for Michael
Milken, was in for securities fraud. Jack took care of Ripley when he was in
the slammer, but the best Ripley could do when they got out was offer him a job
as a uniformed security guard. Pogo stick that. So Jack figures Ripley owes him
that glittering treasure of uncut diamonds Ripley keeps somewhere in his
Detroit-area mansion. But all of sudden, wait a minute. It's time for a
romantic interlude. Jack and Karen run into each other, declare an evening's
truce, doff their clothes and try to discover if that night in the trunk was
just a fleeting thing.
This is all total silliness, of course. Jennifer Lopez is about as
convincing a federal marshal as Bubba Smith is a prima ballerina. Even if you
accept her character, it makes not a lick of sense that Karen Sisco would be
attracted to Jack Foley, no matter those dimples. And it's even more
preposterous that Karen's federal cop dad (Dennis Farina) would keep pushing
her toward Jack when the two haven't even met. Then, as we drive toward the
climax, we find it awfully puzzling that Ripley would seem to employ a small
army of security officers even though absolutely none are ever stationed at or
around his ungated home. Isn't that called "asking for it"?
But you know what? None of that matters. Lopez and Clooney click.
We do believe the pure physical sizzle they give off. And Frank's script
delivers plenty of snap, crackle and pop. It's long been a core premise of
Elmore Leonard's work that most criminals are blithering idiots. And for that
purpose here, we have Glenn Michaels (Steve Zahn), a stoner crook so stupid
he's liable to drown standing out in the rain because it never occurs to him to
keep his mouth shut. Glenn's got lots of company in the dimwit department.
Maurice Miller (Don Cheadle) is one very bad dude. But when he can't find
Ripley's diamonds, Maurice will sure take the time to steal the man's suits.
Not that it doesn't irk him when in the very same vein his sidekick, White Boy
Bob (Keith Loneker), pauses to loot the millionaire's freezer of some choice
cuts of beef. So forget the fact that this whole piece is a crock pot of
improbability. It's downright fun, and everybody's in on the joke. A happy
ensemble delivers a high energy performance, and we go home with smiles on our
faces.
--Rick Barton
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Other Films by Steven Soderbergh
Gray's Anatomy 
Schizopolis 
The Limey 
Film Vault Suggested Links
Magic Hunter 
Double Indemnity 
The Killing 
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