Nor need she, for if she's the daughter of brilliant novelist James Jones, hers
is a privileged life. Yet the sole reason Kaylie Jones's tepid novel-memoir was
committed to film -- her relationship to the famed author -- has been effaced
by the film's insistence on pseudonyms. Not that Kris Kristofferson's Jones
manqué character has much to do with anything -- he broods
avuncularly on the fringes, his genius and demons irrelevant, with Barbara
Hershey a more engaging presence as his wife. None of Jones's dark, edgy talent
seems to have found its way into this account from Kaylie (played by a passive
Leelee Sobieski), an episodic, humdrum tale of growing up in Paris in the '60s,
relating to her adoptive brother, and dealing with high-school dating on her
family's return to America. Daughter is directed by James Ivory, whose
pointless period window dressing and dramatic inertia underscore the insipidity
of this confessional indulgence.
--Peter Keough
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