Cecilia Miniucchi's new documentary explores the rarely seen work of an artist
who claims his work cannot be effectively documented: Hermann Nitsch, whose
"Orgies Mysteries Theatre" has outraged the media in his native Austria and
widely influenced performance artists around the world. "My work affects all of
the senses," he insists, "language is not strong enough." The film chronicles
Nitsch's exhibit at the Museum of Contemporary Art in LA, as well as the
rehearsal of his "Six Day Play" on the grounds of Prinzendorf Castle, his
private estate near Vienna.
Similar in tone to the "happenings" of the 1970s, Nitsch's examples of
Abstract Expressionism and action painting make Pollock and Warhol look like
Grandma Moses. His performances, always for small audiences, involve dozens of
actors, musicians, and assistants -- and plenty of offal. The controversy stems
from his effusive use of blood and animal carcasses, including lots of
disemboweling. Pale, naked models are splashed with red paint, blood, and
organs, with some live crucifixion and copulation thrown in for good measure.
Oh and it's all accompanied by discordant music played on strings, brass, and
kettledrums. Don't miss this viscera-throttling film experience -- but do skip
dinner beforehand.
--Peg Aloi
Film Vault Suggested Links
Genghis Blues 
Public Housing 
Pumping Iron 
Related Merchandise
Search for related videos at Reel.com
Search for more by Cecilia Miniucchi at Reel.com
Search for related books at Amazon.com
Search for related music at Amazon.com
Rate this Film
If you don't want to vote on a film yet, and would like to know how
others voted, leave the rating selection as "Vote Here" and then click the
Cast Vote button.
|