Why is it that so many films about being different are all the same? French
director Alain Berliner's often cloying trifle Ma vie en Rose has a lot
of the right ideas but dresses them up in such flimsy, feel-good frills and
candy-colored flights of fancy that he softens them to a powder puff.
Ludovic (Georges DuFresnes) is a young boy who believes he's a girl. He
dresses up in his mother's clothes and proposes marriage to a another little
boy, which does not go over well since his neighborhood is a stereotypically
uptight, conformist suburb and the other boy is the son of his father's boss.
His parents, though, prove extraordinarily tolerant of his gender preference,
to the point where Ludovic's search for self-expression seems more like
self-indulgence. Ma vie en rose creates some emotional involvement as
the family begins to break down under the social pressure, but as with the
Barbie-like Pam doll about whom Ludovic has charmlessly kitsch fantasies,
Berliner finds too-easy refuge from its tough issues in glib camp and political
correctness.
--Peter Keough
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