Robert Wise's 1963 horror classic (itself based on Shirley Jackson's novel
The Haunting of Hill House) gets a retooling by Speed director
Jan de Bont, who trades the edgy, eerie moodiness of the unknown for
grandiloquent, Poltergeist-esque FX. The result is unintentional camp
and some of the worst character motivation in recent film. Liam Neeson is the
behavioral scientist who invites a trio of test subjects -- Lili Taylor as the
virginal introvert with spiritual connectivity, Catherine Zeta-Jones as a
sassy, bisexual body painter, and Owen Wilson as the group's over-analyzing,
wisecracking clown -- to a retreat at Hill House, a sprawling gothic mansion in
the New England countryside. Neeson claims to be doing insomnia research;
actually he's out to examine the primordial essence of fear, but his
manufactured psychological ploys take a back seat when the cavernous mansion
comes to life. The ornate statues of children, demons, and griffins play parts
of their own, the set designs are ingeniously opulent, and there's plenty of
nifty camera work, but other than that, the admirable cast is awash in a horror
show of inane dialogue and flaccid suspense -- even the hokum of The
Amityville Horror had more bite.
--Tom Meek
Full Length Reviews
The Haunting 
The Haunting 
The Haunting 
Capsule Reviews
The Haunting 
Other Films by Jan de Bont
Twister 
Film Vault Suggested Links
I Know What You Did Last Summer 
Stigmata 
Phantoms 
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