The excellent Brazilian cinema series, which plays in the next months at the
MFA and the Coolidge Corner, gets off to an indifferent start with Foreign
Land (Terra Estrangeira), a predictable international crime
melodrama in the Wim Wenders vein (brooding characters, obsessive music,
melancholic landscapes). The reason for starting with Foreign Land is
obvious: this 1996 picture, which eluded American distribution, is co-directed
by Walter Salles, responsible now for Central Station, which is up for a
Best Foreign Language Film Oscar and a Best Actress nomination for its star,
Fernanda Montenegro. Salles's talent is sometimes on display in the earlier
film, especially in his undeniable feel for settings: much of Foreign
Land takes place in Portugal, which boasts such dramatic yet underutilized
backdrops as the white, hilly city of Lisbon and the dramatic cliffs towering
over the Atlantic. Still, there's little that can be done with a background
story of drug dealers, jewels hidden in violins, and guys with shades and
ponytails on the chase. At the center is a maudlin love story, a Sleepless
in Seattle tale in which a guy in Brazil (Fernando Alves Pinto), unhappy at
the death of his doting mother, and a woman in Lisbon (Fernanda Torres), tired
of her sordid life with a heroin addict, are going to gradually meet up. They
do, they fall in love, and the bad guys chase after. Not exactly Central
Station.
--Gerald Peary
Other Films by Walter Salles Jr.
Central Station 
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