Set in Louisiana's backwater Creole community during the late '50s, Kasi
Lemmons's gothic exploration of womanhood is piercing in conception but
languorous in execution. It's a coming-of-age tale about two adolescent
sisters, Eve (Jurnee Smollett) and Cisely (Meagan Good), who are coping with a
dysfunctional family. Things begin inauspiciously when Eve catches her father,
Louis (Samuel L. Jackson), with a neighbor's wife in the wine cellar. They get
worse when Louis's strayings hit even closer to home.
The redoubtable Jackson is in a tough spot here: his middle-class house doctor
with an overactive libido is not merely bad, he's despicable and selfish. And
the convoluted cast of characters gets even more perplexing with the radiant
Lynn Whitfield as Louis's controlling wife, soap star Debbi Morgan as Louis's
psychic sister who has serendipitously lost three husbands, and poor Diahann
Carroll as a squalid fortuneteller. Lemmons, making her directorial debut, has
set her sights high, but her amateurish, pretentious craftsmanship makes for
stilted results. A line from her own script sums up the film: "If there's no
point at all, then that's the point."
--Tom Meek
Full Length Reviews
Eve's Bayou 
Eve's Bayou 
Eve's Bayou 
Eve's Bayou 
Capsule Reviews
Eve's Bayou 
Eve's Bayou 
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