Although several comedy shows with continuing characters won over
critics in the early days of TV, crime dramas like Martin Kane, Private Eye
were dismissed as cheesy ripoffs of dime-store novels. If you wanted drama,
you watched Studio One or another anthology. Dragnet
overcame the anti-series bias in several ways. First, its regular
characters were in a plausibly dramatic profession (part of TV's holy trinity
of cops, lawyers, and doctors). The cases on the show were real, immunizing
Dragnet from charges that it was contrived. Further, the lead characters
did not undergo emotional crises week after week. Rather, they were so deadpan
("Just the facts, ma'am") that Dragnet became a gift for comic
impressionists seeking easy laughs. Finally, each episode was completely
independent from all the others; a Dragnet episode was just a good story
with some familiar faces to help it along. It would take Hill Street
Blues, nearly 30 years later, to crack the prohibition against continuing
storylines on "serious" dramas.
Taken from The Boston Phoenix's "50 Years and Counting," a retrospective
of the most influential programs from television's first half-century.
Click here for the full article.
--Robert David Sullivan
Full Length Reviews
Dragnet (tv) 
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