Poet Maya Angelou makes her feature directorial debut with this
uplifting but flawed saga about the preservation of family. The film stars a
wildly expressive Alfre Woodard as Loretta, a young, jobless mother whose
rock-bottom self-esteem marks her an easy target for the temptations of her
poor Chicago 'hood. Her high-minded mama (Mary Alice), however, won't brook it,
so she ships Loretta and her kin to Biloxi to spend a Mississippi summer with
rumble-throated Uncle Earl (Al Freeman Jr.) and his Alzheimer's-stricken wife
(Esther Rolle).
Loretta's awkward adjustment amid the willows and white clapboards is wholly
predictable, yet first-time screenwriter Myron Goble plies an affecting twist
or two, most notably the haunting lore behind a family heirloom, a candelabra
named Nathan. Still, the film serves up many clunky moments, in part the result
of Angelou's green camerawork (she previously directed plays and documentaries)
and the story's earnest attempt to cram in too many issues -- addiction, guns,
job reform, class frictions. Such leaden exposition doesn't sink the story,
though; as in Angelou's verse, the themes of heritage and humanity resound.
--Alicia Potter
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