The Andy Griffith Show introduced a sense of place to
sit-coms. Like the Dodge City of Gunsmoke, Mayberry had an assortment of
oddballs who could be used occasionally to complicate plots or provide comic
relief. Also, Andy Taylor was an early example of what would become a sit-com
standby, the widowed parent. Contrary to Dan Quayle's assertion, the
proliferation of single parents on TV was not part of a liberal attack on the
nuclear family. A spouse means another major character who must be given
something to do in every episode, and another actor who could hold up
production with salary demands. No one seemed to mind the missing wife on
The Andy Griffith Show, so quite a few others have been killed off
since.
Taken from The Boston Phoenix's "50 Years and Counting," a retrospective
of the most influential programs from television's first half-century.
Click here for the full article.
--Robert David Sullivan
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