Jackie Chan's newest film (at least in America) starts out with
a supercharged credit sequence full of comic book panels, karate
sound effects, explosions and a high-energy techno soundtrack.
You just know you're in for some prime cinematic ass kicking.
We are, in case you hadn't noticed, in the latest Kung Fu movie
Renaissance. And Jackie Chan has the best chance of anyone since
Bruce Lee to bring Asian martial arts films to mainstream America.
Of the top ten highest grossing films in Hong Kong, nine
are Jackie Chan films. Put that in your Jean-Claude Van Damme
and smoke it.
In Supercop, Jackie Chan plays Detective Kevin Chan, a
decorated officer with the Hong Kong Police Department. When the
opportunity arises to take on a dangerous undercover assignment,
the fearless Chan jumps at the chance. Chan is sent to a Chinese
prison camp to break out a gangster named Panther, who the police
believe will be Chan's ticket to the underworld of Hong Kong drug
trafficking. Panther's brother, you see, is the powerful crime
lord Chaibat, a man who controls half of Southeast Asia's drug
trade. The one thing Chan doesn't bank on, however, is a new partner--a
female security director with the Chinese government (thesped
by fellow Hong Kong box office champ Michelle Khan).
Supercop is clearly one of the more expensive Asian films
on the market. Production value is slick. Locations hopscotch
from Hong Kong to China to Malaysia, giving a wider panorama of
Asian vistas than most Hong Kong shoot-'em-ups. Director Stanley
Tong (who also directed Jackie's Rumble In The Bronx) goes
for a little more testosterone in this one. There are a few Kung
Fu fights, but mostly they have to make room for the unbelievable
stunts and gonzo explosions. Supercop contains some of
Jackie's flat-out best stunt work--including a climactic helicopter
and train chase sequence that makes the ending of Mission:
Impossible look like the candy-ass, Muppet Babies, Hollywood
pretty-boy, "I'll sit in my trailer while some geek fakes
it all up on a computer anyway" rip-off that it is.
For those of you who discovered Mr. Chan for the first time in
this spring's Rumble In The Bronx, then I urge you to discover
the second great thrill of your young lives. Her name is Michelle
Khan and she kicks ass! Michelle is nearly as big a star
in Asia as Jackie Chan. She's the first female to go toe-to-toe
with Jackie, and she does her damnedest to keep up in the stunt
department by leaping onto assorted speeding trucks and jumping
a motorcycle onto a moving train. Yow! Stick around for the closing
credit "bloopers" sequence to, once again, prove to
yourself that there are no stunt doubles in any of this
stuff.
On the other hand, if you're a major Jackie Chan freak like me,
then you've probably already seen this film (originally titled
Police Story III: Supercop). For those of you out there,
I can only say this: If you haven't seen this stuff on the big
screen, then you flat out haven't seen it. All of Jackie's films
are larger than life and deserve to be seen in all their cinematic,
ten-foot-high glory. The new vocal dubbing is about what you'd
expect. When will they stop letting goofy British actors dub these
things? Thankfully, the silliness wears off after a few minutes.
As in Rumble In The Bronx, Jackie dubs his own voice, and
after the first reel, there ain't much talking left to be done
anyway.
If you need a little injection of that Asian action satisfaction,
if you're itching for a dose of that patented Jackie Chan humor,
if you can't live without a heaping helping of bug-eyed pyrotechnics,
or if you just want a good reason to hate all those American movie
stars who "do their own stunts," then catch Supercop.
It's good for what ails ya.