Allison Anders (Gas Food and Lodging, Mi Vida Loca)
is possibly one of the best female filmmakers of our time. She
aptly has made it in Hollywood without sacrificing a grain of
what is important to her. After all, she's Allison Anders; she's
notorious for bringing to the screen issues of race, class and
gender. Though she avoids shoving such issues in her viewers'
faces, she does manage to move them forth gently and laden with
humor.
Grace of My Heart, Anders' latest film, stays true to her
style. The film is an epic journey of one woman's drive to literally
find her voice in the male-dominated music industry of the '60s
and early '70s. Grace centers on Edna Buxton (Illeanna
Douglas), who wins a singing contest and goes to New York to find
that solo female singers are passé. She is taken under
the wing of music producer Joel Milner (John Tuturro) who hires
her to write snappy little pop songs that would make the likes
of the Ronnettes famous. The magic takes place in that infamous
music-publishing mecca, the Brill building, where Joel Milner's
first order of business is changing Edna's name to Denise Waverly--Edna
Buxton is simply too bourgeois for show business. Denise's character
is modeled after singer/songwriter Carol King, who did her own
tour of duty within the Brill building.
On her way to the top, Denise struggles through various relationships
with the men in her life. She marries a music critic/wannabe songwriter
(Eric Stoltz) only to find that he is draining all of her creative
energy. She ends up a single mother in pursuit of other dead-end
relationships. She has a brief affair with a married DJ (Bruce
Davidson) and babysits what is supposed to be Brian Wilson (Matt
Dillon) of the Beach Boys. As the men in her life fall apart,
we see how astutely the women remain calm.
Grace of My Heart has some very strong points. The tempo
of the film feels soft and comfortable. Nothing ever jumps out
for shock value. Even the tragedies are dealt with using a certain
finesse. When Matt Dillon's surfer-boy character takes his last
walk into the ocean, the scene is edited with visions of Denise
joyously watching her friend's band play at a club. It's a nice
paradox--salty and sensuous. The film does, however, tend to drag
to its bittersweet ending. Fortunately, the acting remains a strong
focal point throughout. Illeana Douglas gives the film the strength
and grace it needs, while John Tuturro should definitely be nominated
for a Best Supporting Actor Oscar (or at least a Best Original
Hairdo award). If only they had lost Matt Dillon. I can't for
the life of me figure out why in every movie he still looks like
he stepped off the set of Tex.
Denise Waverly is a woman's woman. I'm sure many women, regardless
of position, can relate to the need to stick out in a man's world.
They can relate to the struggle of being a single mother and having
relationships go awry. Grace of My Heart is a meditative
film. It's almost like looking back on a scrapbook and wondering
how you could've worn this or acted like that. Though the film
isn't autobiographical, it's easy to perhaps see a lot of Allison
Anders' life in the film.