A Venezuelan opera singer, a French psychoanalyst, a self-described
Bantu witch doctor, a gay clairvoyant waiter, a Russian music
teacher and an Italian film director are the kinds of characters
who inhabit the world of Celestial Clockwork--a surreal
fairy tale set in modern day, multicultural Paris. Our heroine,
Ana, is the opera singer, who more than anything else wants to
be cast in the new film version of Rossini's opera Cinderella.
But Ana's nemesis is the ultra-postmodern videomaker Celeste,
who tries to confound Ana's dream at every turn.
Why Celeste is out to get Ana is never really clear, but it hardly
matters because Celestial Clockwork is much more interested
in using the classic Cinderella story--a good girl trying to achieve
her dreams in the face of unfair adversity--to explore Paris'
international community in all its quirky glory. Filmmaker Fina
Torres, a Venezuelan, took her original screenplay to other writers
in Paris so that the resulting script is a collaborative effort,
and the film itself is a French, Venezuelan, Belgian and Spanish
co-production. Torres uses both sound and visuals to her advantage,
mixing opera, pop and salsa for the soundtrack and employing unusual
special effects that make parts of the celluloid look like it's
been treated with day-glow paint. The pretentious postmodern videos
that the character Celeste makes are particularly vacuous, inventive
and entertaining.
But Celestial Clockwork, as its name implies, also explores
more existential topics like fate and chance. Naturally, the audience
knows that our heroine Ana will achieve her dreams, but, in the
meantime, the movie has a lot of fun throwing devilish tricks
and turns into the story. The unseen world, be it astrology, voodoo
or psychoanalysis, is heavily at the forefront--Ana receives advice
from various practitioners of these arts until it seems there
are many different kinds of "fate" that can all be changed
at a moment's notice. As Ana's mentor Alcanie, the French psychoanalyst,
reminds herself (just before she swallows one of the witch doctor's
love potions), "Every discipline has its own icons,"
and none claim authority when it comes to absolute truth.
Celestial Clockwork doesn't dwell too long on philosophic
matters, though--it's much too busy having fun. There are many
hilarious scenes, like when Alcanie gives Ana a love potion or
the music teacher Grigorieff screams that Italians shouldn't write
opera. The acting in this low-budget production is particularly
good; there's not one lackluster performance in the bunch. And
while the film is no doubt a comedy, it takes its jokes from current
and relevant social issues--immigration problems, gay visibility
and the struggle to make a living doing what you love. It also
shows the joyous side of culture clash, mixing up nationalities,
languages and sensibilities into an engaging and interesting film
experience. Celestial Clockwork is funny and simple (but
never simplistic), with a satisfying edge of urban savvy and sophistication.
--Angie Drobnic
Film Vault Suggested Links
Irma Vep 
Love Serenade 
Intimate Relations 
Related Merchandise
Search for related videos at Reel.com
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